Monday, May 27, 2024

Led Zeppelin [1969.04.27] Live At Fillmore West (Nite Owl-2019-09) [SBD+AUD]



Led Zeppelin - Live At Fillmore West
(2019 Nite Owl Production : NO-2019-09)
Fillmore West, San Francisco, CA, USA
Sunday April 27th, 1969

SBD/AUD Stereo Matrix Recording
Encoded: FLAC & MP3@320 Kbps

STEREO MATRIX of two independent recordings mixed together:
 #1: stereo/mono stage recording ("SBD") [* cut]: (KSJO) pre-FM master reels > DAT [c. 1990] > CD-R [Spider-Web]
 #2: mono audience recording [** cut]: 2nd gen. copy [KRW_CO]
SBD source (tail end) patched with: 1st gen. 7½ ips copy [David White c. 1979] > 2nd gen. reel [Bill B.]

https://bootlegpedia.com/en/product/NO-2019-09

Track List: (Artwork Included)
Disc 1:
01. The Train Kept A-Rollin' (Bradshaw, Kay, Mann) [3:16] *
02. I Can't Quit You Baby (Dixon) [8:07]
03. As Long As I Have You (Mimms) [18:34]
contains:
Fresh Garbage (Ferguson) *
Bag's Groove (Jackson)
I'm A Man (McDaniel)
No Money Down (Berry)
04. You Shook Me (Dixon, Lenoir) [9:55]
05. How Many More Times (Page, Jones, Bonham, Plant) [23:03] */**
contains:
I Feel So Bad (Willis)
The Hunter (Jones, Wells, Jackson, Dunn, Cropper)
Here We Go Round The Mulberry Bush (trad.)
06. Communication Breakdown (Page, Jones, Bonham, Plant) [5:29]

Disc 2:
01. Killing Floor (Burnett) [9:05] *
contains: Smokestack Lightning (Burnett)
02. Babe I'm Gonna Leave You (Bredon, Page, Plant) [8:13]
03. White Summer / Black Mountain Side (Page) [9:50] **
04. Sitting And Thinking (Morganfield) [7:28]
05. Pat's Delight (Bonham, Jones, Page) [16:12] *
06. Dazed And Confused (Page, Holmes) [11:45] */**

NOTES:
Restored version of the audience tape synchronized & mixed to remastered version of the stage recording: channels corrected (stereo/set 1) / azimuth corrected (mono/set 2); "Communication Breakdown" re-edited to set 1.
The stage or SBD source is missing, among other smaller cuts, sections of "White Summer", the end of "How Many More Times", the intro to "Pat's Delight", and 77 seconds of "Killing Floor"; only the audience recording is available for these parts.
A short section has here been repeated in the "Dazed and Confused" bow solo to repair a cut smoothly (as the audience source cuts out shortly before this point).


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